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Yarm

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Posts posted by Yarm

  1. Some of the auction houses have run amok with axial or other photographic techniques that can obscure what a token actually looks like.

    (With very colorful or reflective pieces, I'd concede that any single image can't do the job very well, but this is my rant.) ;)

    Here's DNW's take on Warwickshire 41 (Brown III) which I view as pretty much a caricature of the token. My head-on images follow.

    I'm glad I bid on this piece, but really had no idea what it actually looked like until I opened the package.

     

    Warwickshire41.png

     

    MergedWarwickshie41.jpg

  2. Cool, HiHo!

     

    That zebra design got me wondering how many different Pidcock halfpenny designs there are (looks like 23)

    and how frequently each tends to appear. Having time on my hands, I came up with the following counts

    using Dr. Sriro's CD census from last year. It shows how often each design appeared in his Pidcock census of 563 tokens.

     

    Design Total # # Tokens (by D&H #) on which design appears

    Louis Rex 12 1

    Crane 22 3

    Rhino left 23 4

    Royal arms 26 1

    Zebra 28 5

    Kangaroo 31 6

    Lion holding dog 32 4

    Eagle/radiation 35 5

    Lion "exhib" 35 4

    Rhino right 35 7

    Dog atop lion 37 5

    Tiger 41 7

    Nylghau 43 4

    Wanderow 43 5

    Cockatoo 46 5

    Toucan 50 2

    2-headed cow *'s 52 6

    Eagle on rocks 58 2

    Lion "exib" 58 1

    Antelope 60 7

    Ostrich 94 5

    2-headed cow +'s 126 9

    Elephant 139 16

     

    In theory one would need to obtain just 12 different Pidcock tokens to get every design, but that's only if every design had been combined with all the others. A little experimentation suggests that any of several sets of 13 tokens would do the trick.

     

  3. Denton's satirical token Middlesex 298. The edge reads "Any sum given for scarce original impressions."

    I don't know whether the reverse has evidence of die rust or if someone has fooled with it.

    It wouldn't shock me to get a "details" grade but there are other examples of this token which show

    some funky features on the reverse as well.

     

    MergedMiddlesex298.jpg

  4. HiHo, neat ones! I'm curious about the collector number on your Tiger token. Is it just ink or enamel or something else?

     

    I came across a high grade NGC Midd 246 (Allen's) which appeared to have lots of scratches in the obverse field. So I took a closer look at my own piece. Here's the obverse photographed head-on and with axial lighting.

     

    MiddlesexAllens246a000523cutout.jpg

     

    MiddlesexAllens246a00023.jpg

  5. Another shortage of small change in Britain gave rise to a surge in commercial tokens beginning in 1811.

    Unlike the Conder tokens which were produced in a bewildering variety of interesting designs,

    the tokens of 1811-1819 (I call them "Withers tokens" after the most popular reference)

    were produced for use in commerce and typically had simple logos or industrial themes.

    Uncirculated examples of most of these tokens are much harder to find than uncirculated Conders.

     

    Here's one from today's Heritage sale, Withers 1200, Weybridge Mills by Bunn & Co.

     

    LargeObv.png

    LargeRev.png